Fiction is an essential part of individual life. Man has an inherent demand for recreation to get away, even if for a few moments, in the temptations of life. Story telling has been one of the earliest ways of accomplishing this and above the ages it has become the varied forms of entertainment we have in the present day world. Entertainment is essentially of two types – active and passive. The busy involves physical participation in one way or other, while the passive doesn’t. Fiction is essentially a passive entertainment even though the mind plays an important part in it. Fiction constantly involves visualization whether it is covert or overt. The first form of overt visualization was the enacting of dramas since the civilizations developed. The growth of technology introduced in its contemporary forms – cinema and television. The covert type is inherent to story telling and reading. It’s an inherent feature of the human (or maybe any) mind a thought is always accompanied by an image. So when one reads or hears a story the brain visualizes the scene and the characters; this process continues throughout the narrative and frequently even after it has finished.
Character growth can be one of the most important things about writing fiction. You want to create a realistic set of characters to move your plot together and to do that you need to understand them. But how much do you must know about them before you start writing?
Well, that depends on the type of story you are writing. The length of your tale will dictate the amount of character information you’ll need to create them come to life. For simplicity sake, I have broken my character sheet into what I use for every kind of writing. Your character sheets may vary.
Fiction by its very definition is unreal. When we see a novel we know that the narrative and the characters in it are only a product of imagination of the author. When we see a film we know that the characters are only acting their parts basically pretending to be somebody besides themselves. Still we are emotionally affected by the twists and turns in the narrative. We laugh with them, weep together, and even feel indignant towards the bad guys. The adorable hero or heroine may be despicable in real life and the villain might be a perfect gentleman, but we identify them with the characters they are portraying. In essence for that short period we get transported to the imaginary world of the writer. Strangely enough this happens too with the writer at least to some of these. He or she travels through the same emotions while writing and perhaps later as well. So you can see that have a peek at these guys is a topic that you have to be mindful when you are learning about it. As always, though, much of what you decide you need is totally dependent on what you want to accomplish. Even though it is important to everybody concerned, there are important parameters you should keep in mind. How each one will play out in your situation is largely unknown, but we each have to think about that. But let’s keep going due to the fact we have some exceptional tips for you to give considerable attention.
“Knowledge is limited, imagination is not.” Albert Einstein said that although the wording of the next part might have been different. Einstein like any other human being wasn’t infallible. Some of his views that he held right until the ending turned out to be wrong even within the subject of physics. In this particular announcement he also appears to have it backwards. Knowledge might be restricted in the case of someone but generally it is unlimited even if we believe just rational knowledge leaving aside transcendental. Science in particular has demonstrated this at every step in the course of its development. Imagination pertains to a single mind and can be constrained by numerous factors based on the circumstances of the individual. A mind can imagine only what relates in a way to matters already stored in it. Someone who has never been outdoors a remote place in wilderness and has no contact with the world outside cannot envision what metropolitan cities would be like.
Getting back to fiction that the creativity of the writer also must be predicated on his direct or indirect experiences. In this sense fiction relies on reality and to that extent it represents just another dimension of reality. Here of course we run to the philosophical problem of the exact significance of reality. You will find two diametrically opposite views – materialistic and spiritualistic. In accordance with the prior only things that can be perceived through our senses are real, everything else is unreal. The latter maintains that there’s one ultimate reality from which we perceive comes out and what that is perceived is simply an illusion. We again look at a statement by Einstein: “Reality is merely an illusion, albeit a persistent one.” He was obviously referring to the fact of this phenomenal world. The term illusion can have different connotations but in general it means perceiving something rather different from what it really is. So the existence of the thing is a necessity for illusion, it is not a mental construction. Imagination is purely a mental phenomenon and has nothing to do with whatever really existing. Thus the connection between fiction and reality is completely different from that between reality and illusion. It does take some time to write a complete story for any kind of book.
At a philosophical sense that the incredible world itself may be considered fiction. This is exactly what Shakespeare perhaps meant when he wrote: “All the world’s a stage, and all women and men merely players”. We might as well consider everything in the world (space, time, matter) as gamers because everything has its own entry and exit. We naturally run into the problem of stating what the point is and who wrote the script. Shakespeare most probably believed in God, strict determinism, and in the reality of earth, so he didn’t have this issue. Now it’s generally thought that the world also includes a beginning and will have an ending. If the universe is also a participant, are there multiple universes or does this come exclusively on the platform then presents other players? But what’s the stage in this case? Quantum physics points to a single possibility. At extremely tiny scales of space and time there is a quantum void that’s not really empty but full of energy which is constantly transforming itself into virtual particles as well as back. What remains after the end of the universe may be an infinite version of the quantum emptiness full of energy into which each of the matter has converted itself. This universal energy is the origin of and background for all.
It is not only a philosophical point. We spend a substantial part of our own life from the fictional universe. We muse about the items in future and dwell over the prior imagining what might have been. The creativity about the future is dependent on our hopes and ambitions and to some extent it is a positive in the sense we are in a position to mould our future when we sincerely attempt. But musing within the past is really a futile exercise because we know for a fact that ‘what might have been’ is mere fantasy that never happened. Still it serves the same function as fiction from the point of view of amusement. We entertain ourselves by imagining how life would have been, knowing fully well that it has no reality whatsoever. In a metaphorical sense past, at least the remote past, is fiction. In a certain sense history is fiction as it invariably includes the abstract bias of the writer. What we understand of Buddha and Jesus now is more fiction than facts.